By Irene Stylianou
The Phoblographer called the LC-A 120 “the best street photography camera: film or digital”. I’m more than inclined to agree. It’s definitely been my favourite medium format camera since it first came out back in 2015.
I’m used to carrying a lot of cameras around with me, but the LC-A is so light, that I don’t even notice. It’s compact and fully automatic and its 38mm Minigon glass lens (equivalent to a 21mm lens on a 35mm camera) won’t let you down.
The camera lets you to pick your ISO anywhere from 100 to 1600, so this is good news for those who like mixing things up with different types of film and new techniques. My favorite setting is the MX, or double exposure function.
Double exposures and multiple exposures are really popular with analogue photographers and with the LC-A 120 you just press the button and expose away. There’s also a tripod socket and cable release thread for those who love shooting long exposures.
Its sleek body attracts both the amateurs and the medium format connoisseurs, who usually stare in awe, wondering if they should take this plastic camera seriously or not. They definitely should.
I’ve used the LC-A 120 for both professional and personal reasons. I’ve shot portraits, landscapes, seascapes, architecture and street photography, in all kinds of lighting and weather conditions. I’ve loaded it with black-and-white films, colour negatives, redscale and special effect films (Purple, Turquoise) aswell as colour slides. I’ve even used it with expired films over 20 years’ old.
It hasn’t disappointed me, yet. I always look forward to developing the film and I’m always satisfied when I look at the pictures I took.
I’ve also used the LC-A 120 for commercial use and professional photo shoots, without even thinking that I’d need a back-up camera. I’ve got the programmatic automatic exposure and four-step zone focusing of my trusted camera, with a closest focusing distance of 0.6m (2ft).
I bet you’d like me to list a negative thing about it, right? Well, I have to admit I’m not crazy about its maximum aperture of only f/4.5, even though it hasn’t been an issue so far. I always get glowing colours and fine contrast.
I’ve never even needed a flash, yet. I hardly ever use it in general, but the LOMO LC-A gives you the option to grab a flash you like, insert it in the camera hot shoe and shoot indoors and/or at night. You can also shoot with colour filter gels over your flash, so your square shots become funkier!
Everyone knows the legendary reputation of the original LOMO LC-A. Its 6×6 version gives you the same, signature shadowy vignettes and since 120 negatives are larger than the usual 35mm negatives, you get images with more grain and effectively higher resolution (so you can make bigger prints).
Most medium format cameras can make 35mm photographers nervous. Back when I was studying photography, I was anxious when having to load a 120 film. For most newcomers, it can be a tricky process, but the LC-A 120 is very easy to load.
LOMOgraphy may have built their reputation on plastic, easy-to-use cameras, but they sure know how to step up their game, too. The LOMO LC-A 120 is proof of that.
Want to review a film camera for Kosmo Foto? Every review published gets two rolls of Kosmo Foto Mono. Drop me a line at firstname.lastname@example.org with the subject “Kosmo Foto camera review”.